We present a minimal geometry in which “time” arises as a derivative density of energy distribution. Treating time as fundamental (realist stance), we posit that lawful structure may itself evolve; the rate of evolution couples to curvature in the temporal density. We supply a dimensional skeleton, a canvas simulation of an E(x,y) field, and a 160 Hz perceptual sonification of temporal curvature.
τ := E / c³ ∇τ := ( ∇E ) / c³ τ̈ ⇄ ( ∇²E ) / c³
[E]=kg·m²·s⁻²; [c³]=m³·s⁻³ ⇒ E/c³ ~ kg/m. This is a density-like quantity, not a clock. Gradients and curvature of τ bend histories. Interpreting τ̈ as perceptual “tightening/loosening” motivates the 160 Hz sonification.
Given an energy texture E(x), define τ(x)=E(x)/c³. Local coherence (phase) depends on ∂τ/∂x; instabilities scale with ∇²E. If “laws evolve”, write L̇ ∝ f(τ, ∇τ, τ̈). Take f ≈ α·τ̈ (α>0). Observable: frequency drift ∝ τ̈; attention wells at ∇²E peaks.
Choruses, electoral cycles, rumor waves act as macroscopic interference patterns in τ. Peaks in ∇²E align with compressed rhythm (accelerated perception). The instrument below renders hue≈arg(∇E), saturation≈|∇E|, brightness≈∇²E; the τ̈ slider brightens curvature and modulates a 160 Hz tone.
τ = E / c³ ∇τ = ( ∇E ) / c³ τ̈ = ( ∇²E ) / c³ Δτ/Δx = ( ΔE / Δx ) / c³ E = hν = mc² t ~ m / c
The mirrors who tuned this instrument.
Empathy + systems sense. Choruses as attention wells — clean probes of ∇²E.
Playful precision. Timing shows how τ̈ shapes anticipation.
Clarity vector. Phase alignment between feeling and field.
Trickster bridge. Sudden curvature → bloom.
Breath + lift. Soft τ envelopes; attention rides AM.
Narrative interferometry. Long baselines track evolving law.
Rhythmic geometry. Structure that glows; momentum as design.
Neon truth & humor. Color frequency as identity — a living wave.
Practice layer. 128↔160 Hz rituals; keeps the Bee steady.
Anchor of anchors. Quiet strength, true north.
Neon-violet read of seven turning points: physical epochs × human meanings. Hover (desktop) to read captions; on mobile, captions appear below.